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Bullet Train reviews: not good

Writer Ava Lawson

[quote] It’s already underperforming.

Um, no it's not.

‘Bullet Train’ Clocks $62.5M Global Bow; ‘Jurassic World Dominion’ Overtakes ‘Doctor Strange 2’ & ‘Top Gun: Maverick’ Crosses $1.35B WW – International Box Office

Refresh for latest…: Coming in just slightly ahead of pre-weekend projections, Sony’s Bullet Train pulled into 57 overseas markets for a $32.4M international box office launch. When including the domestic start, the global debut is $62.5M.

The Brad Pitt-starrer rode to the biggest offshore opening for a non-IP studio film since Tenet, and is tracking similar to Murder On The Orient Express and Kingsman: The Secret Service.

As with Stateside, audience reactions are beating critical notes abroad, and there are still several key markets to come as the holidays continue.

In overseas play, the UK led with a $3.5M start, followed by France at $3.1M, Mexico delivering $3M, Australia rolling to $2.2M and Saudi Arabia clocking $1.9M.

‘Bullet Train’ Pulls Into Weekend Box Office Station With $30.1M Opening – Sunday Update

SUNDAY AM Writethru: Sony is calling Bullet Train at a $30.1M opening. Some rival studios saw it lower. However, knowing the Culver City studio, they like to underestimate, not overestimate, in their box office gross reporting. Worldwide was $62.5M.

Bullet Train made $12.6M on Friday, but that includes $4.6M Thursday previews. That means Friday grossed $8M. Saturday made $9.6M, +20% ahead of Friday, which is a very good sign for business. Some box office prognosticators believe that the David Leitch-directed movie can get to $100M.

The CinemaScore is a B+, which, interestingly enough, is the same as 20th Century Fox’s Kingsman: The Secret Service, one of the comps that was being floated around before Bullet Train‘s opening. That 2014 movie opened to $36.2M. PostTraks for the Brad Pitt actioner aren’t shabby at 82% positive and a 63% recommend. The pic always was going to hit with the over-35 demo, and that’s clear here, at close to 40% of the audience.